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Mackie Onyx 1640 16-Ch./4-Bus Premium Small-Format Mixer
 

 

51Vz7XzAZHL Buy Mackie Onyx 1640 16 Ch./4 Bus Premium Small Format Mixer

 

 
Manufacturer: Mackie
Customer Rating:
 
List Price: $1,649.99
Sale Price: $1,600.00
Availibility: Usually ships in 1-2 business days
This is cool.
 

Product Description

The new FireWire capable Onyx 1220, 1620 and 1640 premium analog mixers come equipped new Onyx mic preamps and our completely new Perkins EQ circuitry.

Product Details

  • Premium 16-channel/4-bus small-format analog mixer
  • 2 channels of monitoring from computer via FireWire option card
  • 6 Aux Sends w/ Pre/Post & Solo switches
  • 4 stereo line-level Aux Returns
  • 4-bus architecture for flexible sub-grouping of channels

Video Reviews

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Customer Reviews

user comment Buy Mackie Onyx 1640 16 Ch./4 Bus Premium Small Format Mixer Quality, Headroom, Quiet
 
Review Date: October 3, 2008
Reviewer: New England Yankee, Northern New England
Look, if you're seriously considering a board of this type in this price range, you don't need a recitation of the specifications in a review. What you are more likely looking for is an opinion. Mine is that you have to rate a board in the right context. You wouldn't compare this to a digital studio board, for example, except to show why the markets are different.

The Onyx series board are basically analog live sound boards enhanced in a number of ways making them more appropriate to: 1) pro use, and they see a LOT of pro use, 2) small studio use, and 3) recording use, live or studio. The channel strips on the 1640 have everything you want 95% of the time. The board has tons of headroom. It's very quiet. The faders and knobs are buttery smooth. The build quality is excellent, inside and out.

Forget "Perkins" this and "Boutique" that in the Mackie propaganda. Go listen to the mic pre-amps - they are clean, neutral, and high-quality. Say what you will about the characteristic sound of certain pre-amps, but in my opinion you want neutral when they're in a board and not outboard gear.

The Firewire card works flawlessly - I've never had a single burp from the thing. It delivers a stereo mix for quick and dirty live recording as well as the individual channels.

It's a 4-bus, 6 send design. Plenty, again, for most uses, and obviously very well-suited to any reasonable portable use. There are lots of good reasons to keep the board in the analog domain, even in the studio, but as that's a religious war, I won't jump in except to say that this is analog well done.

Some things I could do without or done differently. DB-25s for direct outs, for example. The rotating pod feature doesn't do anything for me. At some point, something more than 96k on the Firewire board would be good.

Bottom line is that this is a well-positioned, well-engineered, widely-accepted board that is flexible enough to cover a wide range of activities. Unlike many compromise solutions, this one does most everything very well.
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Filed under: Mixers & AccessoriesRecording Review

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